A Gala: the Goddess Keeps Me Humble

The Summer months, January in particular, is always a busy time filled with travel to see family (this year we drove to Yass to spend time with my sister and her three children for Christmas), and photography gigs and adventures.

Lake Hume, Victoria, by Teague Leigh

Despite also having a Gala to arrange (more about that in a minute), there was a lot of everything else going on, starting with a trip to Dinner Plain in the High Country of the lands of the Gunaikurnai, Dhudoroa, and Jaitmathang peoples.

As was the case for December, I have put the editing of that trip aside, but do have exclusive images, just for my supporters. They were taken with my phone, so don't show the whole grandeur of the region, but I hope they get you excited enough about Country!

Dead Timber Hill, Victoria, by Teague Leigh

Mount Hotham Summit, Victoria, by Teague Leigh

Omeo, Victoria, by Teague Leigh

The sunrise shoot at Pioneer Lookout, Omeo was initially a bust because I didn't listen to my instincts and I had placed so much pressure on myself to capture meaningful images of Country as part of my push to save it, that I was a grumpy douche! Fortunately, I got over it in time to take great photos in Omeo.

Whilst away for the seven days, I worked my patootie off on the Gala. Promoting the event, including all my talented performers. I was on the wireless! Joy 94.9 had me on as their first guest of 2024 - so honoured! You can listen to the segment here.

In one day, I had 17 items on my to-do list in my schedule; and I completed them all! Including the audio descriptions for all my artwork.

I've been running ragged, often sick, Midsumma Festival Carnival kicked off on the 21st and as an official event photographer it was a long day.

Me, by Suzanne Balding

Miss Moneesha at Midsumma Carnival, by Teague Leigh

A party-goer at Midsumma Carnival, by Teague Leigh

The Gala on the 25th January was a successful hoot and the amazing Tom Noble (@NobleTomNoble), whom you can hire, has already sent me his first pics - I've included a sample below, more will go up on my website eventually (check my website regularly for the link) and on Instagram (@tlwvision). The stunning portrait of me was also taken by Tom.

Rosie Roulette at The Reclamation of Terra Gala Exhibition Opening, by Tom Noble

Yin Paradies at The Reclamation of Terra Gala Exhibition Opening, by Tom Noble

I am exhausted, and with no help from the gallery who refused to answer many of my questions then act like I was the inconvenience to the point that I am questioning if they’re just a bunch of allists and ableists, I am so incredibly proud of what I pulled off with the Gala opening and the exhibition itself. It is always stressful sharing a piece of your soul with the world - what if they hate it or at least don't empathise with what you're trying to do?

I am particularly proud of the additional canvas I decided to do at the end of the 17 months after visiting many art galleries with so many textures that I could not touch - I would walk away overstimulated from the effort! So, I decided to create a canvas that people could touch - run their fingers over the textured paint and "Feel Country". Tom has captured that well in his image of Yin Paradies above.

Every single performer was sensational, and the gathered crowd enjoyed it. Bayley Turner spoke beautiful poetry; Dean Arcuri belted out an Abba medley; Wakaya man, Yin Paradies gave a speech that made me so emotional and proud that I am going to put it up on my website; Saskia hula hooped the roof down; and Rosie Roulette sang a pitch-perfect rendition of Kate Miller-Heidke's "Gravity"; and our MC Goddess Naavikaran was witty and performed a beautiful song in her mother-tongue of India. If you weren't there, you missed out!

As I think I mentioned last month, 5% of every sale from The Reclamation of Terra between now and the 5th of Feb will be donated to Environment Victoria, a grassroots community organisation who works tirelessly on a local, state, and Federal level to reverse climate devastation and our current negative impact on the planet.

Before I go for the month, I managed to shoot Jessie's Ngaio's original one human play "Oh Yuck It's Me" on opening night as part of the Midsumma Festival. So very thankful to have been given that opportunity. This is a play that will make you both cry and laugh and move you in all the ways in between. Jessie is a masterful writer and performer. Tix here.

Jessie Ngaio performing in her play “Oh Yuck It’s Me”, by Teague Leigh

Jessie Ngaio performing in her play “Oh Yuck It’s Me”, by Teague Leigh

Jessie Ngaio performing in her play “Oh Yuck It’s Me”, by Teague Leigh

Still so much to do, but that will be in February's post!

I almost forgot the fall and how I see the Goddess as she keeps me grounded, despite my achievements. Two days after the Gala, @littleElfman tested positive for Covid. The gallery subsequently locked me out from attending and speaking about my exhibition, despite me consistently testing negative for Covid and never having Covid - ever.

Whilst angry at my treatment, setbacks like this keep me humble. The Gala has people talking about my intent and my vision for the world - this is the success I was after, but the Goddess sending me these hurdles keeps me from getting an inflated ego and I am thankful to be shown my place in the natural order of life. I am but one link in the cosmic chain of change. To be truly successful, we all must be united and experience equity, including all those nations and individuals suffering from ongoing genocide, oppression, murder, and destructive colonial and capitalist rule.

This blogs question: How do you celebrate your wins, whilst also maintaining humility?

Keep finding your peace and joy within and with others.

Be kind to yourselves, each other, and the planet.

T.Leigh

Happiness Is…

*trigger warning: mention of violence

Hello friends, I bring you tidings and good news this blog post, which is a pleasant change from the previous. December can be a mixed bag of emotions if you are part of the rainbow community, with large numbers of us estranged from family (not to mention the violence).

For me, this December started off with a visit to South Australia/ Kaurna country to visit my ma and aunt and were able to sneak in some time with my cousin and his family and reconnect with them. I am pleased to report that my ma is doing surprisingly well after her fall and month-long stay in hospital from knee-replacement surgery and subsequent complications. This is a huge relief to me. She also surprised me by not referring to my past self in the feminine; listened to me speak about Palestine and the other atrocities happening across the globe and in our own country; and never uttered the phrase “I’m not racist, but…”. I waited for these things to occur and am still pleasantly in shock that she seems to have changed her ways for the better.

Whilst in town, we also made time for friendly catch ups, and I was able to get to the Karrawirra Parri to photograph it for sunset.

View from the pedestrian bridge over the Karrawirra Parra, South Australia

You’ll have to excuse the mobile phone picture; I have stopped editing photos to concentrate on my upcoming Gala Exhibition Opening (more on that later).

In fact, my last photography adventure with my support worker was on the 7th of December to Point Leo, lands of the Bunurong people. All the images are on my hard drive, screaming at me to make joyous, however I have no time. Here’s a behind-the-scenes mobile image that I didn’t take with my camera.

Point Leo Beach, Victoria

On the 9th of December I had the pleasure of photographing the annual Carols by Queerlight celebration by the Melbourne Rainbow Band. As this was for a client, I can show you one of the images I produced of the night.

The featured singers performing with the Melbourne Rainbow Band, St Kilda Town Hall

Mainly what I worked on in December was my Gala and trying to acquire funding through the Australian Cultural Fund project. I have happy to say that with your generous support, I reached just over halfway to my target finances. Whilst this is amazing news, it does mean that I will be spending all my new waterproof camera savings to finance the rest.

Unfortunately, that means no camera upgrade for me until possibly after Midsumma (February). This is a shame, considering I am an official Midsumma photographer and wanted the upgrade to produce better work and do less post-editing to make up for the lack of quality of my current camera.

Therefore, if you know of anyone who loves art and photography, who would like to be a financial benefactor to a queer, neurodivergent, disabled trans man, let them know I am in need. To be completely transparent, here is what I am requiring, with the camera body the most urgent, then the lenses. As I am upgrading from what is called a “crop sensor” to a “full frame” camera, most of the lenses that I have will unfortunately also need to be replaced eventually.

Screenshot of the equipment I require from the cccwarehouse website.

I have also been working on my health – putting back all the naps, listening to my body, and I finally received my nerve root injection at the C4/5 vertebrae (in the top of the neck), and it seems to have actually worked which means the arthritic pain has substantially subsided.

Then I went to Yass/land of the Ngunnawal & Wiradjuri peoples, to visit my sister and her three amazing children. The oldest is 17, the youngest 9, and they are dealing with the fact that their father is an abusive douche. Their father reminds me of my own father and fortunately I was able to let them know that it gets better and that the emotions they are experiencing now, can be healed. I am so immensely proud of them all, especially my sister and despite hearing of the abuses she suffered, which were triggering for me to hear due to my own past, we were able to love each other’s company and I hope she will love herself enough in the future to embrace her own healing. Five days with my family is never enough.

The good news is that my Gala Exhibition Opening is ready to go for the 25th of January at the Victorian Artists Society. Being their first queer, trans solo artist is immensely humbling, so I want this Gala to be sensational – you can help with that by attending and supporting the amazing artists who will be performing on the night. Absolutely free, including drinks and finger food. On my home page you will find links to the event and artworks. I will also be linking venue and event accessibility in the coming days.

My question for you this month: How much do you want this world to change? United we can make a difference.

Be kind to yourselves, each other, and the planet.

T.Leigh.

Official Image for The Reclamation of Terra gala exhibition/opening at Victorian Artists Society, East Melbourne, opening 6pm 25th January 2024. Image by Teague Leigh

The Resistance is a Full-Time Job

Hello my friends,

This month’s post is later than usual as I am still suffering from post viral fatigue syndrome after having a nasty virus for two weeks from the 19th of November. The brain fog and lethargy are real!

I keep forgetting (or fooling myself?), about my disabilities and that I can no longer do all of the things. Yet, I am currently still unable to get through the day without several rest periods, so the work leading up to my gala exhibition opening continues to snowball; photography editing piles up on my SD cards; and the daily detritus of life is building a nest and is looking like it’s going to permanently stick around.

My counsellor suggested that I am mourning my former self. I think there is something in that, even after 10 years. Perhaps I am grieving for the abilities I once had when pushing myself to achieve unhealthy benchmarks of success. Societies narrative is that you must keep working and getting better, so I guess I convince myself that I’m “not that disabled” & slip into ableist oversight.

Even though I am better now at scheduling in naps throughout the week, I am not used to resting, to allowing myself that luxury (even the word “luxury” implies rest is laziness). I am not as patient with myself as I would like, and I compare myself to “successful” disabled people within my immediate (and further afield) circles and ask myself “why aren’t I doing more?” All the while knowing that “success” is a predominantly capitalist construct pertaining to material wealth and not, more importantly, spiritual, and emotional wealth.

Nor are the goals I set for myself healthy, or particularly achievable. This high benchmark is a ghost I set for myself when I was young and doing all the sport, before even, when I was running events, and long before I acquired disabilities. They were unachievable back then; they are a pipedream now and need to be retired for the sake of my health and longevity.

My counsellor suggested that others might look at me in the same way and ask themselves why they aren’t doing more things. This gave me pause. I have been indoctrinated with societies narrative for over 40yrs years. There's still so much to unpack and do-over without the burden of having to “be better, recover from illness/injury/disability, work more”.

So, now I am at a point where I need to intrinsically listen to my body and ignore the piles of stuff building up around me. I have scheduled and rescheduled my schedule multiple times to rest whilst still trying to do the “bare minimum” of work that I have set for myself, but now I must start delegating to the friends I have around me whose “can I help” questions are often brushed aside.

Having said all that, I have been busy! The resistance is a full-time job. The sculptural piece "Tidal", one part of my "The Reclamation of Terra" exhibition was showing at the Counihan Gallery in Merri-bek here in Naarm as part of their annual Summer Show.

More good news in the month of November - I received a small fund of $2,500 through Midsumma's partnership with Treasury Wine Estates. I looked up TWE's environmental impact before accepting this funding, as the wine industry is notoriously nefarious when it comes to its green practices, however, after reading up on TWE's sustainability practices, I liked what I saw. They also have an international LGBTQIA+ group encouraging diversity, as well as a group invested in supporting more women in the industry. So, I am happy to say that Treasury Wine Estates are supporting my gala exhibition opening in January.

For Trans Awareness Week I recorded a little something for Joy 94.9fm. 

I attended several films and caught up with so many neglected friends during the Melbourne Queer Film Festival.

My Arts Access Victoria class, Artstop, have been working on a video projection "Prism" for months and it was projected on the walls of a Sydney Rd, Brunswick building all month, although, disappointingly, there were some technical glitches, so the word out on the Bulleke-bek street is they are going to reschedule it early 2024 (on a Tuesday night – watch this space for updates).

Then, on the 16th of November, Michael & I travelled north to the lands of the Ngarrindjeri Nation and the Ladji Ladji peoples of what colonisers call the Murray Mallee Region.

Michael was promoting their new anthology "Everything Under the Moon" (which you must buy for yourself and everyone in your life because it is a spectacularly designed and illustrated hardback with some of the World's best young adult authors within), and I tagged along to take some photos. It’s on backorder with Hares & Hyenas but ask your local book seller if they have it or can order it in for you!

On the 28th of November, Midsumma launched their jam-packed festival program. I watched the live stream at home, and colour me surprised when I saw my listing up on the big screen and the marvellous Midsumma CEO, Karen Bryant, talking about it alongside the remarkable Jessie Ngaio (who’s show I have been booked to photograph – can’t wait)!

With the launch, the embargo was lifted so I could officially talk about my Australian Cultural Fund project and try and appeal to some lovely (wealthy) philanthropists. With blessings to some lovely humans, I have raised $2,310 through the project, which means I am still at least $190 short to pay my stellar artists their minimum salary, but we're almost at 50% of the major target, so I'm really excited and massively thankful.

I know you have all donated significantly to this gala exhibition already - you're amazing and have blessed me so much, however, if you could share the link with your networks, I would be most thankful. The project ends on the 30th of December. The ACF takes no fees, and no matter what I raise, I get to keep the funds for my gala – the gala WILL BE GOING AHEAD. Plus, gifts over $2 are tax deductible! If you have not yet gifted me, please consider a $10 donation.

Despite being largely bed-ridden and having to give up tickets to many events so far this month, December is busy (hmmm, didn’t I just say I was going to listen to my body and rest more…)! Look out for my next blog post around this time next month, which will only be days away from the gala launch!!!

I hope life is being magical to you all and that you live with good mental, physical and spiritual health, whatever that looks and feels like to you.

The question for this blog post: How much wood, would a woodchuck chuck, if a woodchuck could chuck wood? (It’s not nearly an irrelevant question as it would first appear)

T.Leigh.

Tom Nethersole Performing at Shepparton Carnival as part of Out In The Open Festival 2023. Image by Teague Leigh

Love Thy Neighbour (and yourself)

From the very beginning of the month, art was happening. My art class, Artstop, run by Arts Access Victoria for humans with disability, have created a projection "Prism" in conjunction with The Little Projection Company (this is our second project with this company). The video is being projected high on the wall at the art precinct of 260 Sydney Rd, Brunswick (Bulleke-bek) in Naarm from dusk till midnight until the 30th of November. We wanted to continue on from the theme of our group exhibition “Shining A Light Into The Darkness”, by investigating the many colours of identity that make up our group and our communities.

Finally managed to get out on a photography adventure with my support worker. We ventured to the outstanding Tesselaar Flower Farm for their tulip displays and because their season had started early due to the messed up weather, we got free passes to the next show and as a bonus, I found two more free passes on the ground!

My sculpture "Tidal", from my anarchic multimedia series "The Reclamation of Terra", has gotten around, first at Brunswick Uniting Church’s exhibition "Living Colour", and currently it is on display at Merri-bek’s Summer Show at Counihan Gallery in Bulleke-bek. Please vote for my sculpture so I can be awarded the People’s Choice Award of $1,000!

I am one of the subjects of a photo shoot for an upcoming (2024) coffee table book and exhibition about the "older" trans community. I think though at not-quite-50, I’m one of the young’uns (which is great for the ego).

Meanwhile, I decided to create a 12th canvas for my Reclamation series, to represent the Intersex community, which is sometimes seen on the progressive pride flag. Here is a sneak peek at it, although it is not finished yet - I have yet to paint the bigender pride flag river motif.

On the 19th of October I photographed the official Naarm book launch of "Everything Under the Moon", an exquisite anthology of faerie tales told in a queerer light, edited by Michael Earp. It was an amazing turnout of all ages on the beautiful rooftop of the Victorian Pride Centre whilst the sun set.

Then I participated in an induction training video for Midsumma as part of their accessibility training. It was a lot of fun, but you'll have to wait to see the video (if I can get my hands on it), as I did not take any behind-the-scenes.

Whilst doing all of this I was also hustling to try and obtain more funding for the gala exhibition launch in January - I only need about $2500 more to be able to pay for the performers, Auslan interpreters, Welcome to Country, and catering/refreshments. So please keep sharing with your networks! People can continue to donate through my Ko-fi, or if they would like to donate a tax deductible donation then my Australian Cultural Fund is a viable option. Another way to donate to the cause if you want to remain anonymous and not send your details through the internet is via my PayPal: TLeighs World Vision.

I also made a 2024 calendar jam packed full of the images I took over the course of 2023. If you would like to buy a copy for friends/family/yourself as a delightful Christmas present, please get in touch privately and I can arrange the order through Vistaprint (they look very good, I am very happy with the quality!). I am currently selling the 300gsm high gloss version for $32 (including postage – Australia only), but this price could rise, so get in quick! This is currently an exclusive offer - I will be launching to the public next week!

So much happening, but I guess that is life in a consumerist society when you're an independent artist hustling to get your message out in to the wide yonder.

Whilst the wonderful world of art and creation has been occurring, I have also been combating hate for Muslims, in particular Palestinians who practically live in concentration camps that are now being relentlessly bombarded by a Zionist government who has granted exploration oil licenses to land not currently their own; supporting my Blak friends and their communities after an atrocious referendum – it is time for Treaty and Sovereignty; writing to the NSW government to end the use of conversion therapy on trans and queer humans; writing to local, state, and federal government over the continuing funding of the forestry sector and selling fresh licenses to new coal projects; championing for disability equity; and currently shouting loudly about ending horse cruelty (#NupToTheCup).

Oh, and I also fought fungicide infection in most of my 65 house plants and both a carpet beetle and clothes moth infestation, which meant cleaning absolutely everything and scrubbing every surface, nook, and cranny. Not so great for someone whose schizophrenia manifests bugs!

Needless to say, I have not been sleeping and have had to request emergency counselling services to deal with everything. My message to y’all this blog post though is that you must continue to fight for what is right in the world, but occasionally take a break for self-care. You are useless if you collapse. Pace yourself. Monitor yourself for signs of cracks and love yourself. Stop for as long as you need, talk to loved ones, or if they too are frazzled, speak to Lifeline or some other professional service so that you can get back to the long fight for the wellbeing of our communities and planet. Yesterday I drove to the nude beach for a couple of hours of nature and sun time, and now I am refreshed and back in the battle.

Many thanks to y'all for your support. Please continue to talk about what I am trying to achieve - community unity to reverse climate devastation, especially if financial support is out of your means now. At times of crisis our souls still need art and artists are often at the forefront of change, especially those of us from minority communities.

With love.

T.Leigh

Teague Leigh’s sculpture “Tidal” is able to win People’s Choice Award. Link to voting in blog.

Together we get sht done.

After the hectic night that was my debut solo exhibition launch on the 7th of September at SOL Gallery, with support from Pride Foundation Australia, I have taken a couple of days off, hence why this post is a few days past the original schedule (and if you read my blog posts, you know how much I love my schedule!).

SOL has advised that over 500 people attended the gallery over the nine days, and together with seeing so many new faces there, plus the amount of people who have been discussing my series “The Reclamation of Terra” on socials, I consider this to be a huge success and am super grateful. My series needs people. It needs your passion as much as it needs mine, so I am thankful you see the work that I have put in, the heart that is in every palette stroke, and the desire to unify community and heal the planet.

A lot of people have raved about the Acknowledgement of Country that my dear friend and MC Bayley Turner made on the 7th, so I have added it here. You have also remarked that my speech was full of passion and action, and I know it has prodded a few of your inspiration buttons (consensually, of course). You will find that here. You can also see/hear the speech on my YouTube channel. For audio descriptions of all the pieces, including the Look Book, please head to my Soundcloud.

So, what is next for me and for this series? Those of you who have bought a painting or inquired about pieces know that certain pieces will be touring and that there will be a gala exhibition opening in January 2024. Whilst the details are under wraps whilst the Midsumma embargo remains, I can tell you that the night will champion rainbow performers, highlighting the great strength of the LGBTQIA+SB community.

However, to bring my vision to actuation, I need community and ally support. If you or your business (or you know a business who) is passionate about a sustainable planet and about community unity, then please support this project via my Australian Cultural Fund fundraising page. This absolutely includes allies. Whilst the might of the rainbow movement is fierce, we cannot do this without the support of our allies. No amount is too small, and certainly, no amount is too large!

I have incredible performers from many nationalities representing a cross-section of our diverse community lined up and I want to pay them what they are worth. I would like Auslan interpreters, all written material interpreted into Braille, and official Welcome to Country, all so that this gala can be as accessible and open to everyone as possible.

Due to the heritage listed status of the Victorian Artists Society, frames and hanging materials need to be purchased. Because I believe all art should be attainable and reasonably priced, my pieces are valued accordingly, however, I will also be professionally printing each landscape photograph as a limited run of eleven at A2 size on 310gsm rag to offer an even more affordable option to own a piece of this important series. The fabulous Thirds Fine Art Printing in Brunswick have generously agreed to offer sponsorship, however as they are a small independent local business, there is still a sum to pay for their amazing service and time.

I have an amazing event photographer and videographer lined up to capture the spectacle and they both must be paid their worth too. The event photographer recently worked for the Melbourne International Film Festival, and the videographer, who will be interviewing attendees on the night (with your permission of course), has recently worked for the Indian Film Festival.

Because I am nearing my fifties, I am of a mindset that you cannot have a gala without food and beverages. I will be approaching dal Catering in Geelong to supply the catering as they train students with disabilities in the hospitality industry so that they are employable after completing school, an amazing ethos. Because of how sensational they are, I will not be asking for a discount on supplies. Whilst I am all about the hustle and have been talking behind the scenes to Victorian beverage companies, I am still to lock in a sponsorship, so must raise funds for a proper “knees-up”.

Let me make this perfectly clear: I am not paying myself for this project, unless I obtain a large grant, and only once I have paid everyone what they are worth. I am extremely passionate about this project and its aims that I am even putting my own savings into this gala. My belief is that the bigger I can make this gala, the more people will talk about it, therefore the more people will come and see and read what it is I am trying to achieve. Please help me reach my target because we all need this. We all need a sustainable planet. We all need community.

My question(s) for this blog is this: what price are you willing to pay to save the world? At what cost are you being silent? Will you be a leader and join me on this journey?

Image credit: Bhavin Mettanant, @rindexfinger

T.Leigh

Teague Leigh at his debut solo exhibition, Sol Gallery in Fitzroy, 7th of September, 2023. Image credit by Bhavin Mettanant, @rindexfinger

And So It Goes: When you ignore the warning signs.

I wrote in my last post that with the lead up to my debut solo exhibition @ Sol Gallery (see my events page for more details), my sleep, had become an existential exercise in futility.

My body had been sending me alarms for months, which I had spoken with my counsellor about, but had done naught else to remedy the situation. At the end of the blog, I asked “Am I following the right path for long-term sustainability?” The short answer, dear readers, is “No!”

I was brought up by a military man, the first (and only) of his family who went to University. He thought this was the pinnacle - that you worked hard and achieved greatness - of life. He drove this home to me most weeks, whether it be in my academic endeavours, or my many sporting achievements. When I quit competitive sport in my teens, I was lying when I said, “it was too competitive, I was no longer in love with it”. The reality was, I didn’t want to run (soccer, softball, and cricket - and basketball, would you believe?!) because my chest was growing quite large and moving “inappropriately”. This was the deep-seated body dysmorphia I am still recovering from, even 13 years after chest surgery. When I quit, my father saw it as a failure. That I wasn’t trying enough, that the whole point to life was to be competitive. “Head down, bum up.” How often did he say this phrase to me? How ingrained it is within me still. Then the on-set of Capitalist 90’s hit, and, well, we all know how that is turning out.

On the other side there is my ma. A strong woman with many flaws. After she divorced my abusive father her social anxieties and self-loathing (that I argue were caused by my father) increased little by little and literally fed her to the point where she can barely move, and now falls constantly when she does. She lives in a rough part of the Northern suburbs an hour out of Adelaide and rarely leaves her house due to the sickening insults the neighbourhood teens heap on her. This is probably also why she refuses to use her mobility aids. I see her and do not want to be her. I drive myself to work out often with my support team, eat clean as often as possible, and constantly monitor for signs I’m “doing it wrong”.

So, working myself into the ground is an endemic coding deep within my DNA. I have asked my counsellor how one, with such an upbringing, stops working/giving at 110%? Ten years ago, when my body and mind literally broke directly caused due to the stresses of overworking and a very large insurance company who did little to help, I vowed I would slow down. For a long time, I did.

Little by little, however, I forget I have these acquired disabilities that need to be nurtured and my body must be listened to when it speaks up. My body is (and probably always has been) quite vocal when it needs extra assistance. I have tried, in the past ten years, to find the work/life balance I plead to all my friends to find. I think currently, I am failing. I am not alone.

The more I immerse myself within the art community, the more stories I hear of artists burning out - before they are 30 - or in their first five years of being in the industry. This is because the hustle is real. You hustle to have a voice. Then if you have a voice, you hustle to keep it; to grow it; constantly hustling. We hustle today, because tomorrow we are not guaranteed an income (and creating art is actually more expensive than you would think!).

If there was a minimum wage for artists, as the Greens Party here in Australia have weakly floated a few times, then yes, we would still be poor - but we could allow ourselves more easily to occasionally take breaks. Those of us living with disability would more often than not, stop of our own accord, before our bodies forced us to stop!

Needless to say, I have been laid up in bed with exhaustion and flu for ten days. My schedule has been rearranged, then rearranged some more as I try and keep hustling. Yesterday I masked up and took my artworks to the gallery for installation. Today I am off to my GP for a necessary health check as my body falls apart some more. I tell myself that I must be better for Thursday, so I force myself to rest, but still struggle to sleep.

Human beings are complicated. Human beings with disability, more so, particularly when those disabilities are largely invisible and can be oft times ignored. Whilst I am sure I have long shed my internalised ableism; I still must contend with and unlearn my conditioned work hard coding. I need to remind myself that stopping for an hour to play a computer game (I only play Civilisation VI, for those who want to know, maybe occasionally Wii monopoly or Wii sports – yes, I still have and use a Wii), is not a failure. Stopping is a success. Stopping IS a success. Stopping is a SUCCESS. Stopping is a success because it will increase both my longevity and my happiness. Just STOP!

At the end of every blog, I ask a question. This time I am not going to. This time I am simply going to submit the blog and go back to bed until I must go to my GP appointment. Rest well folx, and for the love of all things holy – S.T.O.P.

T.Leigh

Official flyer to Teague Leigh’s debut solo exhibition “The Reclamation of Terra”, proudly supported by Pride Foundation Australia, at Sol Gallery, Thursday 7th September @ 6pm. On the left is a canvas painted in hues of textured acrylic paint. In the middle is a landscape photograph of a yellow sand dune with one lonely tree to the left side and deep blue sky above. This central image is repeated in collage underneath in three chopped up lines. Above the central image are the colours of the progressive pride flag in wavy lines leading to the top left corner. On the right of the flyer it is black with the details of the exhibition.

Harder Than Expected: Balancing expectations with limitations

Since my initial blog post, my intention was to write once a month, at the very least. However, it seems that working for yourself as an artist is a full-time hustle and I have not worked this hard since I was fired from my corporate job ten years ago due to my acquired disabilities making it impossible for me to work in an office environment.

Don’t get me wrong, with that job I was working 8am - 6pm, then immediately working on the charity I was running until midnight most days. This new form of working is not as intense, nor do I hate the work that I am doing. Art is a salvation in my life, and I am blessed to be practising it and that my disabilities do not limit my ambition.

However, whoever came up with the concept that all artists do all day is sit in cafes and people watch/dream, was a right naff tool. That idea couldn’t be further from the truth. I nap less now than I would like; napping being an important part of my weekly well-being routine.

So what have I been doing with my time if not napping, blogging, or sitting around in cafe’s? Since 7th June, I have: attended workshops for artists, run by the Merri-bek council; met Caity Lotz at Oz Comic-Con (ok, so I can’t be working all the time!); entered photography awards; applied for gallery space for my January exhibition; been interviewed for another photographers trans photography project; sat with a CBD treatment specialist and subsequently started a trial for pain management; attended art galleries; continued with fortnightly photography adventures with my support worker; edited those images; fought with my laptop/whispered sweet nothings to her to coax her to work whilst she constantly and consistently crashes; worked for The Emerging Writer’s Festival, photographing their closing night event, celebrating 20 years; fighting with the landlord over the condition of the apartment building (she owns the whole thing) and a water bill three times higher than normal that we were sure was due to a building leak she refused to attend to; locked in a gallery space for January; attended an ecological-meets-science-meets-art panel discussion featuring Yin Paradies and Ecological Gyre Theory organised by Green Bee; wrote a couple of grant applications; had my second essay in Archer published online; submitted my application for a Midsumma 2024 event; applied to a couple of group exhibitions; exhibited a piece from my current series at a group show; hopped back onto instagram for the first time in two years to promote my passions; submitted documents to Sol Gallery for the upcoming September exhibition; watched Electric Fields soar alongside the Melbourne Symphony Orchestra at Hamer Hall; watched Midsumma Pathways alumni, most of whom were my 2022-23 cohort, smash it out of the park at Midsummica - so talented!; write the audio descriptions for all my artwork because accessibility is key; and finally, I completed my series: The Reclamation of Terra! Phew!

Six weeks with nary a nap in sight. I’m wondering how sustainable this level of work is for me now. With my cognitive disability it takes me thrice as long to read and comprehend anything, which means responding to emails, reading/writing grants, and researching tech-speak to try and fix my failing laptop is an onerous chore that eats into my creativity time. Not to mention my poor sleep has eroded even more with the everything of logistics swirling about my head ‘til the wee hours of the morning.

So no, my blogging may not, going forward, be consistent, but I can assure you, it will be quality. My expectations of what I can achieve have been tempered by what my ability can allow. After a lifetime of being gas-lit, of having everyone’s expectations dictating to me what I should and shouldn’t be doing with my time, I am still negotiating with myself what exactly my limitations are. I am still coming to terms with loving this refurbished version of myself. I am having to stop and look at the above list and say, “Well done Teague, you accomplished so much!” Because my expectations had been a massive pile-on that in the end wasn’t feasible, but what was accomplished was a heroic effort.

Is this sustainable? I’m still unsure. I have always had a strong work ethic and a blinkered focus. To not give 110% every day is exasperating. However, I will keep working with my counsellor and the rest of my support team, family, and friends. I will continue to live unmasked and ask myself whether the hurdle in front of me is manageable today, or can it be postponed for a week or two?

I have deadlines now, many deadlines, my health is regretfully failing as I draw nearer to my 50’s, these two things are not necessarily harmonious, but I am determined to find cohesion and balance and consciously live with joy each and every day. I have limited social media to an hour per day, my phone blocks it after that, so that is one less stress to worry about. I am asking more of the people around me, letting them know that I cannot actually do it all myself. I am saying “no” and loving myself for that. When you have acquired invisible disabilities, it is often difficult to see yourself through a lens not of societies creation. People will often look at me when I tell them I am disabled and you can see their brains ticking away, trying to trace your disability, seeing whether they approve of its origin or not. I initially struggled to not judge myself the same way. Now, however, I can say I am strong, I can say I am an amazing human. I can give myself the lenience and the love required to live my life on my terms.

Is this period of frenzied work sustainable? Follow my blog to find out.

T.Leigh

Official flyer to Teague Leigh’s debut solo exhibition “The Reclamation of Terra”, proudly supported by Pride Foundation Australia, at Sol Gallery, Thursday 7th September @ 6pm. On the left is a canvas painted in hues of textured acrylic paint. In the middle is a landscape photograph of a yellow sand dune with one lonely tree to the left side and deep blue sky above. This central image is repeated in collage underneath in three chopped up lines. Above the central image are the colours of the progressive pride flag in wavy lines leading to the top left corner. On the right of the flyer it is black with the details of the exhibition.

Here I Am

Over ten years ago, reaching the end of my 30’s, I was diagnosed with autism and multiple acquired disabilities. The diagnoses were both a weight lifted from my shoulders and a confusing mixture of fear, self-loathing, and self-questioning.

I had always been creative, focusing in my late teens and adulthood on my writing practice. I wrote erotic queer prose, poetry, and short stories. I celebrated female sexuality, championing the notion that females should never be silenced over their needs and wants. I performed in clubs and pubs around Canberra, Australia, as well as queer festivals and events across Australia. Sometimes I performed to as many as 400 people. I have been published multiple times in several anthologies. All in my dead name or a nom-de-plume.

I use the term “dead name” because in my early 30’s, in 2003, whilst studying gender theory as part of my second degree focusing on English and History at the Australian National University, I discovered the “trans” section in one of the campus libraries whilst writing an essay dissecting the gender binary. I read more than was necessary for my assignment. I read that the feelings I hadn’t been able to understand when I was a child, and the feelings I brushed away as stupidity as a teen, were real. I was a transgendered man, assigned female at birth.

This was another awakening in my life. Probably a happier one than discovering I had been gas-lit all my life whilst living/struggling with autism. My acquired disabilities have greatly diminished the ability for me to read, comprehend, and write. I didn’t know what to do with my life. I had always been creative, but if I couldn’t continue to write, how could I outlay that creative passion?

Decades earlier, when I was around 16, I did a photography course through school, then in my early 20’s I studied dark room practices. Harking back to those days more and more the answer became obvious to me - I would buy a cheap refurbished camera off eBay and let the images speak for me - say the words I now found so difficult to recall.

I have been photographing landscapes, primarily, each fortnight with the wonderful support worker I found as part of my NDIS funding, for some years now. We go out into nature. Even before being diagnosed with autism, I have always found nature to be my balm. I live in an Inner North suburb of Naarm and it is busy. Billboards, cars, cyclists, pub-goers, screaming babies, barking dogs, the list goes on. Noise. Visual and aural noise. It has always added to the stress of my daily life. Nature is the quiet that calms my nerves and provides me with soothing equilibrium.

Over the last couple of years I have been thinking about my queerness. I am both trans masc. and bisexual. I have been thinking of my rainbow community, wanting to champion our voices through my art, like I did with my writing. But how does one queer up landscape photography? In 2022 this nagging voice was particularly strong and in June of that year I developed an idea. A couple of months later I joined a nearby art class through Arts Access Victoria, applied for the Midsumma Pathways mentorship program, and applied for the Yarra Sculpture Gallery Summer Residency for 2022/23.

Surprisingly (to me), I was awarded with both the mentorship and the residency and began nurturing my idea into a fully-fledged reality of mixed media and acrylic canvases utilising my landscape images, as well as creating a sculptural element, and working on a companion video. These pieces form the series “The Reclamation of Terra”, a call to arms to the LGBTQIA+SB community and their allies to rise in unity to reverse the drastic climate change happening globally. What good is fighting for equality, if we have no planet on which to live?

I am very pleased to say I have secured Sol Gallery in Naarm to hold my debut solo exhibition opening on the 7th of September, 2023. It is with great excitement that I also announce that the event is supported by Pride Foundation Australia. So, after 10 long years somewhat in the wilderness, I have emerged with clear intent. A clear direction. A clear voice. Here I Am.

Hope to see you on opening night.

T.Leigh

Unofficial invite to Teague Leigh’s debut solo exhibition “The Reclamation of Terra”, proudly supported by Pride Foundation Australia, at Sol Gallery, Thursday 7th September @ 6pm. Teague stands with his sculpture at the recent Artstop group exhibition held at Schoolhouse Studios, 11th May, 2023.

Teague Leigh.